• case-insensitive prefix search: default
  e.g., sig matches "SIGIR" as well as "signal"
• exact word search: append dollar sign ($) to word
  e.g., graph$ matches "graph", but not "graphics"
• boolean and: separate words by space
  e.g., codd model
• boolean or: connect words by pipe symbol (|)
  e.g., graph|network

Update May 7, 2017: Please note that we had to disable the phrase search operator (.) and the boolean not operator (-) due to technical problems. For the time being, phrase search queries will yield regular prefix search result, and search terms preceded by a minus will be interpreted as regular (positive) search terms.

found 41 matches

• 2016
• 
  Stuart Cunningham, Jonathan Weinel:
  The Sound of the Smell (and taste) of my Shoes too: Mapping the Senses using Emotion as a Medium. Audio Mostly Conference 2016: 28-33
• 
  Edgar Berdahl, Matthew Blessing, Stephen David Beck, Michael Blandino:
  More Masses For The Masses. Audio Mostly Conference 2016: 105-110
• 
  Edgar Berdahl, Michael Blandino, David Baker, Daniel Shanahan:
  An Approach for Using Information Theory to Investigate Continuous Control of Analog Sensors by Humans. Audio Mostly Conference 2016: 85-90
• 
  Edgar Berdahl, Andrew Pfalz, Michael Blandino:
  Hybrid Virtual Modeling for Multisensory Interaction Design. Audio Mostly Conference 2016: 215-221
• 
  Ulrich Brandstätter, Marlene Brandstätter, Christa Sommerer:
  Gears for audio-visual composition: Productive play with virtual mechanics. Audio Mostly Conference 2016: 170-177
• 
  Jon Ram Bruun-Pedersen, Stefania Serafin, Justyna Maculewicz, Lise Busk Kofoed:
  Designing Recreational Virtual Environments for Older Adult Nursing Home Residents: How Nature And Content Matter For Improving Augmented Exercise Experiences. Audio Mostly Conference 2016: 222-228
• 
  Birgitta Cappelen, Anders-Petter Andersson:
  Health Improving Multi-Sensorial and Musical Environments. Audio Mostly Conference 2016: 178-185
• 
  Johan Fagerlönn, Stefan Lindberg, Anna Sirkka, Gunnar Oledal:
  OREGANO: Play a concert organ using your voice. Audio Mostly Conference 2016: 229-233
• 
  Nicolai Gajhede, Oliver Beck, Hendrik Purwins:
  Convolutional Neural Networks with Batch Normalization for Classifying Hi-hat, Snare, and Bass Percussion Sound Samples. Audio Mostly Conference 2016: 111-115
• 
  Visda Goudarzi:
  Exploration of sonification design process through an interdisciplinary workshop. Audio Mostly Conference 2016: 147-153
• 
  Francesco Grani, Rolf Nordahl, Stefania Serafin:
  Multimodal interactions, virtual reality and 360 movies: applications using Wavefield synthesis. Audio Mostly Conference 2016: 20-27
• 
  Chris Greenhalgh, Steve Benford, Adrian Hazzard:
  muzicode$: Composing and Performing Musical Codes. Audio Mostly Conference 2016: 47-54
• 
  Nathan Guo:
  Melokey: Create Melody with Keys. Audio Mostly Conference 2016: 234-239
• 
  Nassrin Hajinejad, Barbara Grüter, Licínio Roque, Simon Bogutzky:
  GangKlang: facilitating a movement-oriented walking experience through sonic interaction. Audio Mostly Conference 2016: 202-208
• 
  Thomas Hermann, Jiajun Yang, Yukie Nagai:
  EmoSonics: Interactive Sound Interfaces for the Externalization of Emotions. Audio Mostly Conference 2016: 61-68
• 
  Amelie Hinrichsen, Till Bovermann:
  Post-DMI musical Instruments. Audio Mostly Conference 2016: 124-131
• 
  Olivier Houix, Stefano Delle Monache, Hélène Lachambre, Frédéric Bevilacqua, Davide Rocchesso, Guillaume Lemaitre:
  Innovative Tools for Sound Sketching Combining Vocalizations and Gestures. Audio Mostly Conference 2016: 12-19
• 
  Daniel Hug, Moritz Kemper, Kathleen Panitz, Karmen Franinovic:
  Sonic Playgrounds: Exploring Principles and Tools for Outdoor Sonic Interaction. Audio Mostly Conference 2016: 139-146
• 
  Robert H. Jack, Tony Stockman, Andrew P. McPherson:
  Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. Audio Mostly Conference 2016: 116-123
• 
  Hannu Kukka, Pauli Marjakangas, Vili Kellokumpu, Timo Ojala:
  Spontaneous Device Association Using Inaudible Audio Signatures. Audio Mostly Conference 2016: 91-96
• 
  Pontus Larsson:
  Speech Feedback Reduces Driver Distraction Caused by In-vehicle Visual Interfaces. Audio Mostly Conference 2016: 7-11
• 
  Rikard Lindell:
  Design in Ecology of Other Artefacts. Audio Mostly Conference 2016: 240-244
• 
  Justyna Maculewicz, Niels Christian Nilsson, Stefania Serafin:
  An investigation of the effect of immersive visual and auditory feedback on rhythmic walking interaction. Audio Mostly Conference 2016: 194-201
• 
  Sean McGrath, Alan Chamberlain, Steve Benford:
  Making Music Together: An Exploration of Amateur and Pro-Am Grime Music Production. Audio Mostly Conference 2016: 186-193
• 
  Sean McGrath, Alan Chamberlain, Steve Benford:
  The Grime Scene: Social Media, Music, Creation and Consumption. Audio Mostly Conference 2016: 245-250
• 
  Stefano Delle Monache, Davide Rocchesso:
  Cooperative sound design: A protocol analysis. Audio Mostly Conference 2016: 154-161
• 
  Razvan Paisa, Cumhur Erkut, Stefania Serafin:
  Electronic Armonica: a Tangible Musical Interface inspired by the Glass Harmonica. Audio Mostly Conference 2016: 251-257
• 
  Richard Pinsenschaum, Flaithrí Neff:
  Evaluating Gesture Characteristics When Using a Bluetooth Handheld Music Controller. Audio Mostly Conference 2016: 209-214
• 
  Emmanouil Potetsianakis, Jean Le Feuvre:
  Streaming of Kinect Data for Interactive In-Browser Audio Performances. Audio Mostly Conference 2016: 258-265
• 
  Avneesh Sarwate:
  Calcification and Hybrid Live-Coding. Audio Mostly Conference 2016: 55-60

skipping 11 more matches