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ORCIDClaus-Christian Carbon
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- affiliation: University of Bamberg, Department of General Psychology and Methodology, Germany
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2020 – today
- 2023
[j9]Itay Goetz, Claus-Christian Carbon:
The Art of Experiencing Art: On the Nature and the Origins of the Mode of Art eXperience (MAX). J. Percept. Imaging 6: 1-19 (2023)- [i1]Jonas Witt, Stef Rasing, Sebastijan Dumancic, Tias Guns, Claus-Christian Carbon:
A Divide-Align-Conquer Strategy for Program Synthesis. CoRR abs/2301.03094 (2023) - 2022
- [j8]Don Watson
, Manfred Krug, Claus-Christian Carbon:
The relationship between citations and the linguistic traits of specific academic discourse communities identified by using social network analysis. Scientometrics 127(4): 1755-1781 (2022) - [j7]Stefan Josef Breitschaft, Stefan Heijboer, Daniel Shor, Erik Tempelman, Peter Vink, Claus-Christian Carbon:
The Haptic Fidelity Framework: A Qualitative Overview and Categorization of Cutaneous-Based Haptic Technologies Through Fidelity. IEEE Trans. Haptics 15(2): 232-245 (2022) - [j6]Stefan Josef Breitschaft, Alexander Pastukhov, Claus-Christian Carbon:
Where's My Button? Evaluating the User Experience of Surface Haptics in Featureless Automotive User Interfaces. IEEE Trans. Haptics 15(2): 292-303 (2022)
2010 – 2019
- 2019
- [j5]Claus-Christian Carbon:
Empirical Approaches to Studying Art Experience. J. Percept. Imaging 2: 10501-1-10501-7(7) (2019) - 2018
- [c9]Claus-Christian Carbon:
Art changes our way of cognitive and affective processing! But how to ecologically validly measure such processes? HVEI 2018: 1-5 - 2017
- [j4]Fabian Gebauer, Marius Hans Raab, Claus-Christian Carbon:
Imagine All the Forces. J. Media Psychol. Theor. Methods Appl. 29(2) (2017) - [c8]Claus-Christian Carbon:
Measurement problems and measurement strategies for capturing the rich experience of art. HVEI 2017: 242-247 - 2016
- [c7]Claus-Christian Carbon:
Beyond the predominance of the visual empire: A functional model on haptics & more. HVEI 2016: 1-2 - 2013
- [j3]Ute Schmid, Michael Siebers, Johannes Folger, Simone Schineller, Dominik Seuß, Marius Raab, Claus-Christian Carbon, Stella J. Faerber:
A cognitive model for predicting esthetical judgements as similarity to dynamic prototypes. Cogn. Syst. Res. 24: 72-79 (2013) - [j2]Chiara Renzi, Susanna Schiavi, Claus-Christian Carbon, Tomaso Vecchi, Juha Silvanto, Zaira Cattaneo:
Processing of featural and configural aspects of faces is lateralized in dorsolateral prefrontal cortex: A TMS study. NeuroImage 74: 45-51 (2013) - [j1]Claus-Christian Carbon, Matrina Jakesch:
A Model for Haptic Aesthetic Processing and Its Implications for Design. Proc. IEEE 101(9): 2123-2133 (2013) - [c6]Géza Harsányi, Fabian Gebauer, Peter Kraemer, Claus-Christian Carbon:
Design Evaluation: Zeitliche Dynamik ästhetischer Wertschätzung. MuC (Workshopband) 2013: 145-153 - [c5]Marius Hans Raab, Claudia Muth, Claus-Christian Carbon:
M5oX: Methoden zur multidimensionalen und dynamischen Erfassung des Nutzererlebens. MuC (Workshopband) 2013: 155-163 - [c4]Claus-Christian Carbon:
Haptische User Experience. MuC (Workshopband) 2013: 165-172 - [c3]Stefan Ortlieb, Gaby Streffing, Claus-Christian Carbon:
Ein System für alle Fälle: Entwicklung eines intelligenten Hausnotrufsystems im Dialog mit den zukünftigen Nutzern. MuC 2013: 345-348 - 2012
- [c2]Claus-Christian Carbon:
Dynamics of aesthetic appreciation. Human Vision and Electronic Imaging 2012: 82911A
2000 – 2009
- 2006
- [c1]Claus-Christian Carbon:
Autobahn People: Distance Estimations Between German Cities Biased by Social Factors and the Autobahn. Spatial Cognition 2006: 489-500
Coauthor Index
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