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ORCIDTod Machover
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2010 – 2019
- 2017
[c9]Don Derek Haddad, Xiao Xiao, Tod Machover, Joe A. Paradiso:
Fragile instruments: constructing destructible musical interfaces. NIME 2017: 30-33- 2016
- [c8]Xiao Xiao, Donald Derek Haddad, Thomas Sanchez, Akito van Troyer, Rébecca Kleinberger, Penny Webb, Joe A. Paradiso, Tod Machover, Hiroshi Ishii:
Kinéphone: Exploring the Musical Potential of an Actuated Pin-Based Shape Display. NIME 2016: 259-264 - 2015
- [j2]Yoshinari Takegawa, Kenichiro Fukushi, Tod Machover, Tsutomu Terada, Masahiko Tsukamoto:
A prototyping support system for the creation of painted musical instruments. Int. J. Arts Technol. 8(4): 382-402 (2015) - [c7]Rébecca Kleinberger, Gershon Dublon, Joseph A. Paradiso, Tod Machover:
Phox ears: a parabolic, head-mounted, orientable, extrasensory listening device. NIME 2015: 30-31 - [c6]Basheer Tome, Donald Derek Haddad, Tod Machover, Joseph A. Paradiso:
Mmodm: massively multipler online drum machine. NIME 2015: 285-288 - 2012
- [c5]Yoshinari Takegawa, Kenichiro Fukushi, Tod Machover, Tsutomu Terada, Masahiko Tsukamoto:
Construction of a Prototyping Support System for Painted Musical Instruments. Advances in Computer Entertainment 2012: 384-397
2000 – 2009
- 2002
- [c4]Tristran Jehan, Tod Machover, Mike Fabio:
Sparkler: An Audio-Driven Interactive Live Computer Performance for Symphony Orchestra. ICMC 2002 - [c3]Tod Machover:
Instruments, Interactivity, and Inevitability. NIME 2002: 196 - 2000
- [j1]Tod Machover:
Future arts: By and for whom, and for what? IBM Syst. J. 39(3&4): 687- (2000)
1980 – 1989
- 1989
- [c2]Tod Machover, Joseph T. Chung:
Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems. ICMC 1989 - 1981
- [c1]Tod Machover:
A Survey of Recent Compositional and Musical Research at IRCAM. ICMC 1981
Coauthor Index
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