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2020 – today
- 2024
[i11]Silvan David Peter, Shreyan Chowdhury
, Carlos Eduardo Cancino Chacón, Gerhard Widmer:
Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance. CoRR abs/2401.02979 (2024)- [i10]Shreyan Chowdhury, Gerhard Widmer:
Expressivity-aware Music Performance Retrieval using Mid-level Perceptual Features and Emotion Word Embeddings. CoRR abs/2401.14826 (2024) - 2023
- [c8]Silvan David Peter, Shreyan Chowdhury, Carlos Eduardo Cancino Chacón, Gerhard Widmer:
Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance. FIRE 2023: 58-66 - [c7]Shreyan Chowdhury, Gerhard Widmer:
Expressivity-aware Music Performance Retrieval using Mid-level Perceptual Features and Emotion Word Embeddings. FIRE 2023: 73-77 - [i9]Shreyan Chowdhury, Gerhard Widmer:
Decoding and Visualising Intended Emotion in an Expressive Piano Performance. CoRR abs/2303.01875 (2023) - 2021
- [c6]Shreyan Chowdhury, Gerhard Widmer:
Towards Explaining Expressive Qualities in Piano Recordings: Transfer of Explanatory Features Via Acoustic Domain Adaptation. ICASSP 2021: 561-565 - [c5]Shreyan Chowdhury, Gerhard Widmer:
On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features. ISMIR 2021: 128-134 - [i8]Shreyan Chowdhury, Gerhard Widmer:
Towards Explaining Expressive Qualities in Piano Recordings: Transfer of Explanatory Features via Acoustic Domain Adaptation. CoRR abs/2102.13479 (2021) - [i7]Shreyan Chowdhury, Verena Praher, Gerhard Widmer:
Tracing Back Music Emotion Predictions to Sound Sources and Intuitive Perceptual Qualities. CoRR abs/2106.07787 (2021) - [i6]Shreyan Chowdhury, Gerhard Widmer:
On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features. CoRR abs/2107.13231 (2021) - 2020
- [c4]Carlos Eduardo Cancino Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer:
On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game. ISMIR 2020: 613-620 - [i5]Khaled Koutini, Hamid Eghbal-Zadeh, Verena Haunschmid, Paul Primus, Shreyan Chowdhury, Gerhard Widmer:
Receptive-Field Regularized CNNs for Music Classification and Tagging. CoRR abs/2007.13503 (2020) - [i4]Carlos Eduardo Cancino Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer:
On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game. CoRR abs/2008.02194 (2020)
2010 – 2019
- 2019
- [c3]Shreyan Chowdhury, Andreu Vall, Verena Haunschmid, Gerhard Widmer:
Towards Explainable Music Emotion Recognition: The Route via Mid-level Features. ISMIR 2019: 237-243 - [c2]Khaled Koutini, Shreyan Chowdhury, Verena Haunschmid, Hamid Eghbal-Zadeh, Gerhard Widmer:
Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs. MediaEval 2019 - [i3]Verena Haunschmid, Shreyan Chowdhury, Gerhard Widmer:
Two-level Explanations in Music Emotion Recognition. CoRR abs/1905.11760 (2019) - [i2]Shreyan Chowdhury, Andreu Vall, Verena Haunschmid, Gerhard Widmer:
Towards Explainable Music Emotion Recognition: The Route via Mid-level Features. CoRR abs/1907.03572 (2019) - [i1]Khaled Koutini, Shreyan Chowdhury, Verena Haunschmid, Hamid Eghbal-zadeh, Gerhard Widmer:
Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs. CoRR abs/1911.05833 (2019) - 2017
- [c1]Shreyan Chowdhury, Tanaya Guha, Rajesh M. Hegde:
Music Tempo Estimation Using Sub-Band Synchrony. INTERSPEECH 2017: 3093-3096
Coauthor Index
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