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2020 – today
- 2023
[c11]Daichi Shimizu, Norihiko Shinomiya:
A load balancing method using load factor on unsplittable flow edges in information and communication networks. ICNC 2023: 694-697- 2022
- [c10]Kentaro Kodama, Daichi Shimizu, Ken Fujiwara:
Influence of Visual Information on Interpersonal Coordination of Head- and Body- Movement During Dyad Conversations. CogSci 2022 - [c9]Daichi Shimizu, Takeshi Okada:
Dynamics of Interaction with the Environment in Creativity: Embodied Imagination Framework. CogSci 2022 - [c8]Daichi Shimizu, Norihiko Shinomiya:
An approximate approach to the Unsplittable flow Edge-Load factor Balancing problem with the Lagrangian relaxation. GCCE 2022: 101-104 - [c7]Shuhei Tsuchida
, Daichi Shimizu, Kanako Shibasaki, Tsutomu Terada, Masahiko Tsukamoto:
Online Dance Lesson Support System Using Flipped Classroom. MoMM 2022: 133-142
2010 – 2019
- 2019
- [c6]Daichi Shimizu, Masaya Hirashima, Takeshi Okada:
Interaction between Idea-generation and Idea-externalization Processes in Artistic Creation: Study of an Expert Breakdancer. CogSci 2019: 1041-1047 - [c5]Kentaro Kodama, Daichi Shimizu, Kazuki Sekine:
An Attempt to Visualize and Quantify Speech-Motion Coordination by Recurrence Analysis: A Case Study of Rap Performance. CogSci 2019: 2031-2037 - [c4]Koto Minami, Daichi Shimizu, Takeshi Okada:
The Cognitive Process of Reinterpreting Non-art Objects in an Art Context. CogSci 2019: 3317 - 2018
- [j1]Daichi Shimizu, Takeshi Okada:
How Do Creative Experts Practice New Skills? Exploratory Practice in Breakdancers. Cogn. Sci. 42(7): 2364-2396 (2018) - 2015
- [c3]Daichi Shimizu, Takeshi Okada:
Deliberate Practice Revisited: Complexity and Creativity in the Practice Process in Breakdance. CogSci 2015 - 2013
- [c2]Daichi Shimizu, Takeshi Okada:
Physical Skill and Idea Interaction in the Creation of New Dance Movements. CogSci 2013 - 2012
- [c1]Daichi Shimizu, Takeshi Okada:
Creative Process of Improvised Street Dance. CogSci 2012
Coauthor Index
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