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ORCIDAnil Çamci
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- unicode name: Anıl Çamcı
- affiliation: University of Michigan, Department of Performing Arts Technology, Ann Arbor, MI, USA
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2020 – today
- 2024
[j3]Eloysa Zelada, Anil Çamci:
Conveying climate data through immersive sonification and interactive plant art in Unnatural Nature. Pers. Ubiquitous Comput. 28(5): 745-761 (2024)- 2022
- [c19]Anil Çamci, John Granzow:
Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments. NIME 2022 - [c18]Nick Warren, Anil Çamci:
Latent Drummer: A New Abstraction for Modular Sequencers. NIME 2022 - 2021
- [j2]Luca Turchet
, Rob Hamilton, Anil Çamci:
Music in Extended Realities. IEEE Access 9: 15810-15832 (2021) - [c17]Allison Lahnala, Gauri Kambhatla, Jiajun Peng, Matthew Whitehead, Gillian Minnehan, Eric Guldan, Jonathan K. Kummerfeld, Anil Çamci, Rada Mihalcea:
Chord Embeddings: Analyzing What They Capture and Their Role for Next Chord Prediction and Artist Attribute Prediction. EvoMUSART 2021: 171-186 - [i1]Allison Lahnala, Gauri Kambhatla, Jiajun Peng, Matthew Whitehead, Gillian Minnehan, Eric Guldan, Jonathan K. Kummerfeld, Anil Çamci, Rada Mihalcea:
Chord Embeddings: Analyzing What They Capture and Their Role for Next Chord Prediction and Artist Attribute Prediction. CoRR abs/2102.02917 (2021) - 2020
- [c16]Anil Çamci:
Teaching immersive media at the "dawn of the new everything". Audio Mostly Conference 2020: 229-232 - [c15]John Granzow, Matias Vilaplana, Anil Çamci:
Capturing kinetic wave demonstrations for sound control. Audio Mostly Conference 2020: 273-276 - [c14]Anil Çamci, Matias Vilaplana, Ruth Wang:
Exploring the Affordances of VR for Musical Interaction Design with VIMEs. NIME 2020: 121-126 - [c13]Anil Çamci, Aaron Willette, Nachiketa Gargi, Eugene Kim, Julia Xu, Tanya Lai:
Cross-platform and Cross-reality Design of Immersive Sonic Environments. NIME 2020: 127-130
2010 – 2019
- 2019
- [c12]Anil Çamci:
Some Considerations on Creativity Support for VR Audio. VR 2019: 1500-1502 - [p1]Anil Çamci, Cem Çakmak, Angus Graeme Forbes:
Applying Game Mechanics to Networked Music HCI Systems. New Directions in Music and Human-Computer Interaction 2019: 223-241 - 2018
- [c11]Anil Çamci:
GrainTrain: A Hand-drawn Multi-touch Interface for Granular Synthesis. NIME 2018: 156-161 - [c10]Steven Leib, Anil Çamci:
Triplexer: An Expression Pedal with New Degrees of Freedom. NIME 2018: 263-268 - 2017
- [c9]Çagri Erdem, Anil Çamci, Angus G. Forbes:
Biostomp: a biocontrol system for embodied performance using mechanomyography. NIME 2017: 65-70 - [c8]Anil Çamci, Kristine Lee, Cody J. Roberts, Angus Graeme Forbes:
INVISO: A Cross-platform User Interface for Creating Virtual Sonic Environments. UIST 2017: 507-518 - 2016
- [j1]Brett Balogh, Anil Çamci, Paul Murray, Angus Graeme Forbes:
Spectral Landscapes: Visualizing Electromagnetic Interactions. IEEE Computer Graphics and Applications 36(5): 7-11 (2016) - [c7]Anil Çamci:
Distractions: Interactive Visualizations on a Kinetic Sculpture Using Infrasound Vibrations. CHI Extended Abstracts 2016: 3827-3830 - [c6]Anil Çamci, Vincent Meelberg:
Diegetic Affordances and Affect in Electronic Music. ICMC 2016 - [c5]Anil Çamci, Paul Murray, Angus G. Forbes:
A Web-based System for Designing Interactive Virtual Soundscapes. ICMC 2016 - [c4]Cem Çakmak, Anil Çamci, Angus G. Forbes:
Networked Virtual Environments as Collaborative Music Spaces. NIME 2016: 106-111 - [c3]Gorkem Ozdemir, Anil Çamci, Angus G. Forbes:
PORTAL: An Audiovisual Laser Performance System. NIME 2016: 338-343 - [e1]Ergun Akleman, Lyn Bartram, Anil Çamci, Angus G. Forbes, Penousal Machado:
5th Joint Symposium on Computational Aesthetics, Sketch-Based Interfaces and Modeling, and Non-Photorealistic Animation and Rendering, Expressive 2016 - Posters, Artworks, and Bridging Papers, Lisbon, Portugal, May 7-9, 2016, Proceedings. Eurographics Association 2016, ISBN 978-3-03868-021-5 [contents] - 2015
- [c2]Anil Çamci, Zeynep Özcan, Damla Pehlevan:
Interactive Virtual Soundscapes: A Research Report. ICMC 2015 - 2012
- [c1]Anil Çamci:
A Cognitive Approach to Electronic Music: Theoretical and Experiment-Based Perspectives. ICMC 2012
Coauthor Index
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