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Matthew Mosher
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2020 – today
- 2022
- [c10]Matthew Mosher:
Khong Khro: Visual biofeedback for focus meditations: Visual biofeedback for focus meditations. Creativity & Cognition 2022: 570-574 - 2021
- [c9]Diego L. Faverio, Iulia V. Popescu, Matthew Mosher:
Creativity and Collaboration During COVID-19: Creating an Alternate Reality Game in the Face of a Pandemic. ICIDS 2021: 333-337 - 2020
- [c8]Cameron Tolentino, Matthew Mosher:
Kurios: A Web App for Saving and Sharing Audio Memories with Physical Objects. HT 2020: 131-132 - [c7]Hanae Hmimid, Matthew Mosher:
Date the Artist: A Virtual Date with a Virtual Character. HT 2020: 137-138 - [c6]Marius Schebella, Gertrud Fischbacher, Matthew Mosher:
Silver: A Textile Wireframe Interface for the Interactive Sound Installation Idiosynkrasia. NIME 2020: 131-132
2010 – 2019
- 2018
- [c5]Matthew Mosher, Danielle Wood, Tony Obr:
Tributaries of Our Lost Palpability. NIME 2018: 360-361 - 2017
- [c4]Matthew Mosher:
If These Walls Could Speak: Tangible Memories. Audio Mostly Conference 2017: 13:1-13:4 - 2016
- [j1]Matthew Mosher, David Tinapple, Enrique Tomás, Keina Konno, Richi Owaki, Yoshito Onishi, Ryo Kanda, Sheep, Akiko Takeshita, Tsubasa Nishi, Naoko Shiomi, Kyle McDonald, Satoru Higa, Kazuhiro Jo, Yoko Ando, Kazunao Abe, Takayuki Ito, Shannon Cuykendall, Ethan Soutar-Rau, Thecla Schiphorst:
Demo hour. Interactions 23(3): 8-11 (2016) - [c3]Matthew Mosher:
What We Have Lost/What We Have Gained: Embodied Interfaces for Live Performance and Art Exhibitions. CHI Extended Abstracts 2016: 289-292 - [c2]Matthew Mosher, David Tinapple:
What We Have Lost / What We Have Gained: Tangible Interactions Between Physical and Digital Bodies. TEI 2016: 658-662 - 2014
- [c1]Michael Krzyzaniak, Julie Akerly, Matthew Mosher, Muharrem Yildirim, Garth Paine:
Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance. NIME 2014: 303-306
Coauthor Index
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