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2020 – today
- 2021
[c16]Corey Ford, Nick Bryan-Kinns, Chris Nash:
Creativity in Children's Digital Music Composition. NIME 2021- 2020
- [c15]Dom Brown, Chris Nash, Thomas J. Mitchell:
Was that me?: exploring the effects of error in gestural digital musical instruments. Audio Mostly Conference 2020: 168-174 - [c14]Samuel J. Hunt, Tom Mitchell, Chris Nash:
Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment. NIME 2020: 61-66 - [c13]Chris Nash:
Crowd-driven Music: Interactive and Generative Approaches using Machine Vision and Manhattan. NIME 2020: 259-264 - [c12]Corey J. Ford, Chris Nash:
An Iterative Design 'by proxy' Method for Developing Educational Music Interfaces. NIME 2020: 279-284
2010 – 2019
- 2019
- [c11]Neil McGuiness, Chris Nash:
The Pulse: Embedded Beat Sensing Using Physical Data. Audio Mostly Conference 2019: 207-214 - 2018
- [j4]Dom Brown
, Chris Nash, Tom Mitchell:
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians. Digit. Creativity 29(2-3): 129-148 (2018) - [c10]Dom Brown, Chris Nash, Tom Mitchell:
Understanding User-Defined Mapping Design in Mid-Air Musical Performance. MOCO 2018: 27:1-27:8 - 2017
- [c9]Dom Brown, Chris Nash, Tom Mitchell:
A user experience review of music interaction evaluations. NIME 2017: 370-375 - 2016
- [j3]Xiaohong Liang, Ke-Hu Tan, Anthony Whiteing, Chris Nash, Daniel Johnson:
Parcels and mail by high speed rail-A comparative analysis of Germany, France and China. J. Rail Transp. Plan. Manag. 6(2): 77-88 (2016) - [c8]Chris Nash:
The 'E' in QWERTY: Musical Expression with Old Computer Interfaces. NIME 2016: 224-229 - [c7]Dom Brown, Nathan Renney, Adam Stark, Chris Nash, Tom Mitchell:
Leimu: Gloveless Music Interaction Using a Wrist Mounted Leap Motion. NIME 2016: 300-304 - 2015
- [j2]Chris Nash:
When to invest in high speed rail. J. Rail Transp. Plan. Manag. 5(1): 12-22 (2015) - 2014
- [c6]Edward Kingsley Rutter, Tom Mitchell, Chris Nash:
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices. ICMC 2014 - [c5]Chris Nash:
Manhattan: End-User Programming for Music. NIME 2014: 221-226 - 2012
- [b1]Chris Nash:
Supporting virtuosity and flow in computer music. University of Cambridge, UK, 2012 - [j1]Daniel Johnson, Chris Nash:
Competition and the provision of rail passenger services: A simulation exercise. J. Rail Transp. Plan. Manag. 2(1-2): 14-22 (2012) - [c4]Chris Nash, Alan F. Blackwell:
Liveness and Flow in Notation Use. NIME 2012 - 2011
- [c3]Chris Nash, Alan F. Blackwell:
Tracking Virtuosity and Flow in Computer Music. ICMC 2011 - 2010
- [c2]Luke Church, Chris Nash, Alan F. Blackwell:
Liveness in Notation Use: From Music to Programming. PPIG 2010: 2
2000 – 2009
- 2008
- [c1]Chris Nash, Alan F. Blackwell:
Realtime Representation and Gestural Control of Musical Polytempi. NIME 2008: 28-33
Coauthor Index
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