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Digital Applications in Archaeology and Cultural Heritage, Volume 3
Volume 3, Number 1, January 2016
- Caterina Balletti, Carlo Beltrame, Elisa Costa, Francesco Guerra
, Paolo Vernier:
3D reconstruction of marble shipwreck cargoes based on underwater multi-image photogrammetry. 1-8 - Reuma Arav
, Sagi Filin
, Uzi Avner, Dani Nadel
:
Three-dimensional documentation of masseboth sites in the 'Uvda Valley area, southern Negev, Israel. 9-21
Volume 3, Number 2, January 2016
- Maurice de Kleijn, Rens de Hond, Oscar Martinez-Rubi
:
A 3D spatial data infrastructure for Mapping the Via Appia. 23-32 - Paul Reilly
, Stephen Todd, Andy Walter:
Rediscovering and modernising the digital Old Minster of Winchester. 33-41 - Fernando Zvietcovich, Luis Navarro
, Julio Saldana, Luis Jaime Castillo, Benjamín Castañeda
:
A novel method for estimating the complete 3D shape of pottery with axial symmetry from single potsherds based on principal component analysis. 42-54
Volume 3, Number 3, January 2016
- Bernard D. Frischer, Georg Zotti
, Zaccaria Mari, Giuseppina Capriotti Vittozzi:
Archaeoastronomical experiments supported by virtual simulation environments: Celestial alignments in the Antinoeion at Hadrian's Villa (Tivoli, Italy). 55-79 - Roberto Pierdicca
, Emanuele Frontoni
, Eva Savina Malinverni
, Francesca Colosi
, Roberto Orazi:
Virtual reconstruction of archaeological heritage using a combination of photogrammetric techniques: Huaca Arco Iris, Chan Chan, Peru. 80-90 - Federico Buccellati
, Eric Kansa:
The value of energetic analysis in architecture as an example for data sharing. 91-97
Volume 3, Number 4, January 2016
- Maweheb Saidani, Malek Sellami, Faouzi Ghorbel
:
Geometric invariance in digital imaging for the preservation of cultural heritage in Tunisia. 99-107 - Nicola Carboni, Livio De Luca
:
Towards a conceptual foundation for documenting tangible and intangible elements of a cultural object. 108-116 - Gabriele Fatuzzo
, Gaetano Sequenzia
, Salvatore Massimo Oliveri:
Virtual anthropology and rapid prototyping: A study of Vincenzo Bellini's death masks in relation to autopsy documentation. 117-125
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