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ORCID6th MCM 2017: Mexico City, Mexico
- Octavio Alberto Agustín-Aquino, Emilio Lluis-Puebla, Mariana Montiel:
Mathematics and Computation in Music - 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017, Proceedings. Lecture Notes in Computer Science 10527, Springer 2017, ISBN 978-3-319-71826-2
Algebraic Models
- Marcus D. Booth:
Primal-Circular Substitutions. 3-12 - Sonia Cannas
, Samuele Antonini, Ludovico Pernazza:
On the Group of Transformations of Classical Types of Seventh Chords. 13-25 - David Clampitt, Thomas Noll:
Pairwise Well-Formed Modes and Transformations. 26-37 - Grégoire Genuys, Alexandre Popoff:
Homometry in the Dihedral Groups: Lifting Sets from Zn to Dn. 38-49 - J. David Gómez-Téllez, Emilio Lluis-Puebla, Mariana Montiel:
A Symmetric Quantum Theory of Modulation in Z\!\!Z_20 Z Z 20. 50-62 - Robert W. Peck:
Almost Difference Sets in Transformational Music Theory. 63-75 - Marek Zabka:
Algebra of Harmony: Transformations of Just Consonances. 76-88
Computer Assisted Performance
- Emmanuel Amiot, Jean-Philippe Lerat, Bérenger Recoules, Valérie Szabo:
Developing Software for Dancing Tango in Compás. 91-103 - Kevin Hobby, William A. Sethares, Zhenyu Zhang:
Using Inharmonic Strings in Musical Instruments. 104-116 - Pedro Louzeiro:
Real-Time Compositional Procedures for Mediated Soloist-Ensemble Interaction: The Comprovisador. 117-131
Fourier Analysis
- Emmanuel Amiot:
Strange Symmetries. 135-150 - Emmanuel Amiot:
Interval Content vs. DFT. 151-166 - Jason Yust:
Probing Questions About Keys: Tonal Distributions Through the DFT. 167-179
Gesture Theory
- Juan Sebastián Arias:
Abstract Gestures: A Unifying Concept in Mathematical Music Theory. 183-200 - Guerino Mazzola:
Mathematical Music Theory and the Musical Math Game - Two Creative Ontological Switches. 201-212
Graph Theory and Combinatorics
- Giovanni Albini, Marco Paolo Bernardi:
Hamiltonian Graphs as Harmonic Tools. 215-226 - Franck Jedrzejewski:
New Investigations on Rhythmic Oddity. 227-237 - Corentin Louboutin, Frédéric Bimbot:
Polytopic Graph of Latent Relations - A Multiscale Structure Model for Music Segments. 238-249
Machine Learning
- Cristian Bañuelos, Felipe Orduña-Bustamante:
Dynamic Time Warping for Automatic Musical Form Identification in Symbolical Music Files. 253-258 - Pablo Padilla, Francis Knights, Adrián Tonatiuh Ruiz, Dan Tidhar:
Identification and Evolution of Musical Style I: Hierarchical Transition Networks and Their Modular Structure. 259-278 - Brian Martínez, Vicente Liern:
A Fuzzy-Clustering Based Approach for Measuring Similarity Between Melodies. 279-290 - Bruno Mesz, Augusto Paladino, Juan Pérgola, Pablo Amster:
The Evolution of Tango Harmony, 1910-1960. 291-297 - Liduino Pitombeira:
Determination of Compositional Systems Through Systemic Modeling. 298-311 - Daniel C. Tompkins:
A Cluster Analysis for Mode Identification in Early Music Genres. 312-323 - Christopher Wm. White:
Cross Entropy as a Measure of Coherence and Uniqueness. 324-334
Probability and Statistics in Musical Analysis and Composition
- Clifton Callender:
Complementary Collections in Ligeti's Désordre. 337-349 - Joel Michelson, Hong Xu, Phillip B. Kirlin:
Probabilistic Generation of Ragtime Music from Classical Melodies. 350-360 - Brayan Rodríguez, Raúl Gutiérrez de Piñérez, Gerardo M. Sarria M.:
Using Probabilistic Parsers to Support Salsa Music Composition. 361-372
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