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ORCID4th ICMC 1977: San Diego, California, USA
- Proceedings of the 1977 International Computer Music Conference, ICMC 1977, San Diego, California, USA, 1977. Michigan Publishing 1977
- Daniel Arfib:
Digital Synthesis of Complex Spectra by Means of Non-linear Distortion of Sine Waves and Amplitude Modulation. - Richard L. Cann, Kenneth Steiglitz:
Towards Improved Analysis-Synthesis Using Cepstral and Pole-Zero Techniques. - Paul E. Dworak, Alice C. Parker:
Envelope Control with an Optical Keyboard. - Ercolino Ferretti:
Nuances in the Synthesis of "Live Sounds". - John K. Gardner, Brian Harvey, James R. Lawson, Jean-Claude Risset:
Computer Facilities for Music at IRCAM. - Emmanuel Ghent:
Interactive Compositional Algorithms. - Pietro Grossi:
Computer Music: Studies and Research at CNUCE, Institute of the National Research Council (CNR), Pisa. - James H. Justice:
A Technique for Time-Variant Filter Design. - Alice C. Parker, Richard Blum, Paul E. Dworak:
The Carnegie-Mellon Computer Music System Digital Hardware. - Tracy Lind Petersen:
The Composer as Surgeon: Performing Phase Transplants. - Curtis Roads:
Composing Grammars. - Gary W. Schwede:
A Fuzzy Hierarchical System Model for Real-time Visual Interpretation in Musical Experiences. - Jon C. Siddall, James N. Siddall:
New Developments in Stochastic Computer Music. - John P. Walsh:
Design Considerations for Computer Music Systems. - David Wessel, Bennett Smith:
Psychoacoustic Aids for the Musician's Exploration of New Material. - Michael A. Yantis:
A Microprocessor Based Live-Performance Instrument.
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