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ORCIDECLAP 2013: Porto, Portugal
- Paolo Nesi, Raffaella Santucci:
Information Technologies for Performing Arts, Media Access, and Entertainment - Second International Conference, ECLAP 2013, Porto, Portugal, April 8-10, 2013, Revised Selected Papers. Lecture Notes in Computer Science 7990, Springer 2013, ISBN 978-3-642-40049-0
Perspectives and (Digital) Strategies for Cultural Heritage Institutions
- Uros Damnjanovic, Sorin Hermon
, Adolfo Roitman, Susan Hazan, Tirza Deutscher, Haya Scheffer:
Bringing New Life to Video Narratives for Exploring Cultural Heritage. 1-12 - Pierfrancesco Bellini, Paolo Nesi:
A Linked Open Data Service for Performing Arts. 13-25 - Pierfrancesco Bellini, Ivan Bruno, Daniele Cenni, Paolo Nesi, Michela Paolucci, Marco Serena:
A New Generation Digital Content Service for Cultural Heritage Institutions. 26-38 - Donatella Gavrilovich:
How to Catalogue the Cultural Heritage "Spectacle". 39-49 - Oliviero G. Ponte di Pino:
Contemporary Italian Theatre on the Web - A Short History and Some Perspectives. 50-57 - Antonella Guidazzoli, Maria Chiara Liguori, Mauro Felicori:
Open Creative Framework for a Smart Cultural City: Bologna Porticoes and the Involvement of Citizens for a UNESCO Candidacy. 58-65
Trust, Quality and Tools for Cultural Heritage Digital Libraries
- Luigi Briguglio, Silvio Salza, Maria Guercio:
Preserving Authenticity Evidence to Assess Provenance and Integrity of Digital Resources. 66-77 - Angela Di Iorio, Marco Schaerf:
Applicability of Digital Library Descriptive Metadata to the Contemporary Artworks - The Sapienza Digital Library Case Study. 78-89 - Emanuele Bellini, Paolo Nesi:
Metadata Quality Assessment Tool for Open Access Cultural Heritage Institutional Repositories. 90-103 - Achille Felicetti, Franco Niccolucci:
Validating the Digital Documentation of Cultural Objects. 104-117 - Pierfrancesco Bellini, Ivan Bruno, Paolo Nesi:
A Workflow Model and Architecture for Content and Metadata Management Based on Grid Computing. 118-127 - Atta Badii, David Luigi Fuschi:
A Unified Test Procedure Designed for Monitoring the Experimental Settings Ensuring Quality Assurance in 3D and Stereoscopic Productions. 128-137
Educational Services for the Performing Arts
- Lillian Manzor, Kyle R. Rimkus, Mitsunori Ogihara:
Cuban Theater Digital Archive: A Multimodal Platform for Theater Documentation and Research. 138-150 - Maia Giacobbe Borelli:
How Are On-Line Digital Libraries Changing Theatre Studies and Memories? 151-163 - Attila Szabó:
Multimedia Performance Reconstruction as a Challenge to Theatre History Writing - Using Interactive Models of Historical Theatre Performances in the Education of Performing Arts. 164-174 - Peter Eversmann:
Education-Performing Arts-Information Technology: An Impossible Triangle? 175-191
Dance in the World of Data and Objects
- Katerina El Raheb, Yannis E. Ioannidis:
Dance in the World of Data and Objects. 192-204 - Carla Fernandes:
The TKB Project: Creative Technologies for Performance Composition, Analysis and Documentation. 205-217 - Sarah Whatley:
The Challenge of the Inter in the Preservation of Cultural Heritage; The Intangibility of the Material and Immaterial Dancing Body in Performance. 218-226
Acting and Natural Interaction
- Fei Su, Giacomo Tartari, John Markus Bjørndalen, Phuong Hoai Ha, Otto J. Anshus:
MultiStage: Acting across Distance. 227-239 - Carlo Drioli, Claudio Allocchio, Nicola Buso:
Networked Performances and Natural Interaction via LOLA: Low Latency High Quality A/V Streaming System. 240-250
Music and Opera of a Digital Generation
- Adriano Baratè, Luca Andrea Ludovico:
Algorithmic Generation of Music Tunes for an iPhone® Game. 251-265 - Matthew Benatan, Kia Ng:
Feature Matching of Simultaneous Signals for Multimodal Synchronization. 266-275 - Joanne L. Armitage, Kia Ng:
Augmented Opera Performance. 276-287
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