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11th DLfM 2024: Stellenbosch, South Africa

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David M. Weigl:
Proceedings of the 11th International Conference on Digital Libraries for Musicology, DLfM 2024, Stellenbosch, South Africa, 27 June 2024. ACM 2024
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Paul Burger, J. P. Jacobs:
Direct Labelling of Form of Classical-Period Piano Sonata Movements From Audio Recordings. 1-5
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Edward Hulme, David Marshall, Kirill A. Sidorov, Andrew Jones:
Acoustic Classification of Guitar Tunings with Deep Learning. 6-14
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Thomas Nuttall, Xavier Serra, Lara Pearson:
Svara-forms and coarticulation in Carnatic music: an investigation using deep clustering. 15-22
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  - conf/dlfm/Cowgill0DHFT24
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Rachel Cowgill, David Bainbridge, Alan J. Dix, Victoria Hoyle, Vicki Fong, David Thomas:
(Re)capturing the Emotional Geography of Lost Music Venues: A Case Study of the Willow Community Digital Archive. 23-31
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David Lewis, Kevin R. Page:
Popular musical arrangements in the nineteenth-century home: A study of The Harmonicon supported by digital tools. 32-39
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  - conf/dlfm/FrommelBPM24
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Lena Frömmel, Tobias Bachmann, Anna Plaksin, Andreas Münzmay:
Open Edirom: From hybrid music edition to open data publication. 40-44
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Martha E. Thomae, David Rizo, Eliseo Fuentes-Martínez, Cristina Alís Raurich, Elsa De Luca, Jorge Calvo-Zaragoza:
A Preliminary Proposal for a Systematic GABC Encoding of Gregorian Chant. 45-53
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Andrew Hankinson, Laurent Pugin:
Navigating the RISM data with RISM Online. 54-62
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Tiange Zhu, Raphaël Fournier-S'niehotta, Philippe Rigaux:
FACETS: A Tool for Improved Exploration of Large Symbolic Music Collections. 63-67
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Kevin Allain, Tillman Weyde:
JazzDAP: Collaborative Research Tools for Digital Jazz Archives. 68-72
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Stanislaw Graczyk, Zuzanna Piniarska, Mateusz Kalamoniak, Tomasz Lukaszewski, Ewa Lukasik:
An Online Tool for Semi-Automatically Annotating Music Scores for Optical Music Recognition. 73-77

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