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7. CMMR 2010: Málaga, Spain
- Sølvi Ystad, Mitsuko Aramaki, Richard Kronland-Martinet, Kristoffer Jensen:
Exploring Music Contents - 7th International Symposium, CMMR 2010, Málaga, Spain, June 21-24, 2010. Revised Papers. Lecture Notes in Computer Science 6684, Springer 2011, ISBN 978-3-642-23125-4
Music Production, Interaction and Composition Tools
- Simon Dixon, Matthias Mauch, Amelie Anglade:
Probabilistic and Logic-Based Modelling of Harmony. 1-19 - Rebecca Stewart, Panos Kudumakis, Mark B. Sandler:
Interactive Music Applications and Standards. 20-30 - Sylvain Marchand, Boris Mansencal, Laurent Girin:
Interactive Music with Active Audio CDs. 31-50 - Kristoffer Jensen:
Pitch Gestures in Generative Modeling of Music. 51-59
Music Structure Analysis - Sound Source Separation
- Marco Liuni, Axel Röbel, Marco Romito, Xavier Rodet:
An Entropy Based Method for Local Time-Adaptation of the Spectrogram. 60-75 - Pete Bunch, Simon J. Godsill:
Transcription of Musical Audio Using Poisson Point Processes and Sequential MCMC. 76-83 - Wenwu Wang, Hafiz Mustafa:
Single Channel Music Sound Separation Based on Spectrogram Decomposition and Note Classification. 84-101 - Cédric Févotte, Alexey Ozerov:
Notes on Nonnegative Tensor Factorization of the Spectrogram for Audio Source Separation: Statistical Insights and Towards Self-Clustering of the Spatial Cues. 102-115
Auditory Perception, Artificial Intelligence and Cognition
- Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Andrés Ortiz, Simone Sammartino, Cristina de la Bandera:
What Signal Processing Can Do for the Music. 116-137 - Mathieu Barthet, Steven Hargreaves, Mark B. Sandler:
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. 138-162 - Jesús L. Alvaro, Beatriz Barros:
Computer Music Cloud. 163-175 - Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki:
Abstract Sounds and Their Applications in Audio and Perception Research. 176-187
Analysis and Data Mining
- Anssi Klapuri:
Pattern Induction and Matching in Music Signals. 188-204 - Marco Marchini, Hendrik Purwins:
Unsupervised Analysis and Generation of Audio Percussion Sequences. 205-218 - Tan Hakan Özaslan, Enric Guaus, Eric Palacios, Josep Lluís Arcos:
Identifying Attack Articulations in Classical Guitar. 219-241 - W. Bas de Haas, Matthias Robine, Pierre Hanna, Remco C. Veltkamp, Frans Wiering:
Comparing Approaches to the Similarity of Musical Chord Sequences. 242-258
MIR - Music Libraries
- Christian Dittmar, Holger Großmann, Estefanía Cano, Sascha Grollmisch, Hanna M. Lukashevich, Jakob Abeßer:
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. 259-272 - Sebastian Stober, Andreas Nürnberger:
MusicGalaxy: A Multi-focus Zoomable Interface for Multi-facet Exploration of Music Collections. 273-302 - Philippe Rigaux, Zoé Faget:
A Database Approach to Symbolic Music Content Management. 303-320 - Mikko Karvonen, Mika Laitinen, Kjell Lemström, Juho Vikman:
Error-Tolerant Content-Based Music-Retrieval with Mathematical Morphology. 321-337 - Julián Urbano, Juan Lloréns, Jorge Morato, Sonia Sánchez-Cuadrado:
Melodic Similarity through Shape Similarity. 338-355 - Dirk Schönfuß:
Content-Based Music Discovery. 356-360
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