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Augmented Reality Art 2014
- Vladimir Geroimenko:
Augmented Reality Art, From an Emerging Technology to a Novel Creative Medium. Springer Series on Cultural Computing, Springer 2014, ISBN 978-3-319-06202-0 - Mark Skwarek:
Augmented Reality Activism. 3-29 - Tamiko Thiel:
Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials. 31-60 - Gregory L. Ulmer, John Craig Freeman:
Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being. 61-79 - Conor McGarrigle:
Augmented Interventions: Re-defining Urban Interventions with AR and Open Data. 81-95 - Patrick Lichty:
The Aesthetics of Liminality: Augmentation as an Art Form. 99-125 - Geoffrey Alan Rhodes:
Augmented Reality in Art: Aesthetics and Material for Expression. 127-137 - Jacob Garbe:
Digital Borders and the Virtual Gallery. 139-147 - Todd Margolis:
Immersive Art in Augmented Reality. 149-159 - Kim Vincs, Alison Bennett, John McCormick, Jordan Beth Vincent, Stephanie Hutchison:
Skin to Skin: Performing Augmented Reality. 161-174 - Vladimir Geroimenko:
Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale. 175-188 - Ian Gwilt:
Augmented Reality Graffiti and Street Art. 189-198 - Judson Wright:
Why We Might Augment Reality: Art's Role in the Development of Cognition. 201-214 - Nathan Shafer:
Augmenting Wilderness: Points of Interest in Pre-connected Worlds. 215-235 - Salvatore Iaconesi, Oriana Persico:
An Emotional Compass: Emotions on Social Networks and a New Experience of Cities. 237-254 - Dragos Gheorghiu, Livia Stefan:
Augmenting the Archaeological Record with Art: The Time Maps Project. 255-276 - Simona Lodi:
Spatial Narratives in Art. 277-294 - Margaret Dolinsky:
Shifting Perceptions - Shifting Realities. 295-304 - Damon Loren Baker:
Wearable Apocalypses: Enabling Technologies for Aspiring Destroyers of Worlds. 305-312
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